{"id":793,"date":"2021-11-28T20:30:36","date_gmt":"2021-11-28T20:30:36","guid":{"rendered":"http:\/\/new.fredericmartel.com\/?page_id=793"},"modified":"2022-02-10T20:27:49","modified_gmt":"2022-02-10T20:27:49","slug":"research","status":"publish","type":"page","link":"https:\/\/new.fredericmartel.com\/en\/research\/","title":{"rendered":"Research"},"content":{"rendered":"
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Theater Class (ZHdK, Oct 2017)<\/a><\/h2>

Theater in America \u2013\u00a0General readings\u00a0: Lawrence Levine,\u00a0Highbrow\/Lowbrow, the Emergence of Cultural Hierarchy in America\u00a0(Harvard University Press, 1988)\u00a0; Russel Lynes,\u00a0The Lively public : a Social History of the Visual and the Performing Arts in America, 1890-1950\u00a0(Harper & Row, 1985)\u00a0; Fr\u00e9d\u00e9ric Martel,\u00a0Mainstream\u00a0(2006, in german) and\u00a0Theater\u00a0(2006, only in french). \u2013 On Joe Papp\u00a0: [...]<\/p><\/div><\/div>

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frederic<\/a><\/span><\/span>2022-02-10T17:49:24+00:00<\/span>Categories: Creative Economies<\/a>|<\/span><\/div><\/div><\/article>\n
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On the future of criticism<\/a><\/h2>

In his book\u00a0Curation Nation, Steven Rosenbaum offers readers interesting insight into the way content is organized and propagated throughout the digital sphere. And \u00ab\u00a0Curation\u00a0\u00bb, unlike aggregation, is mainly a manual task that consists of gathering, organizing and sharing content according to value. It seems a key new approach for the [...]<\/p><\/div><\/div>

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frederic<\/a><\/span><\/span>2022-02-10T17:51:11+00:00<\/span>Categories: Cultural Policy<\/a>|<\/span><\/div><\/div><\/article>\n
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Digital Wars<\/a><\/h2>

In\u00a0Digital Wars: Apple, Google, Microsoft and the Battle for the Internet, Charles Arthur chronicles the emergence of the giants of the technology industry. In\u00a0Digital Wars: Apple, Google, Microsoft and the Battle for the Internet, Charles Arthur chronicles the emergence of the giants of the technology industry. \u00a0 A review of [...]<\/p><\/div><\/div>

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frederic<\/a><\/span><\/span>2022-02-10T17:54:11+00:00<\/span>Categories: On Digital<\/a>|<\/span><\/div><\/div><\/article>\n
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Alibaba et les quarante voleurs<\/a><\/h2>

Le g\u00e9ant du e-commerce chinois, Alibaba, entre en bourse cette semaine aux Etats-Unis. Me\u0301lange d\u2019Amazon, d\u2019eBay et de PayPal, avec un volume d\u2019affaires qui de\u0301passe ces trois socie\u0301te\u0301s ame\u0301ricaines re\u0301unies, le site chinois a e\u0301te\u0301 surnomme\u0301 le \u00ab plus grand bazar du monde \u00bb. Visite, avec Smart, du quartier g\u00e9n\u00e9ral [...]<\/p><\/div><\/div>

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frederic<\/a><\/span><\/span>2022-02-14T22:58:58+00:00<\/span>Categories: On Digital<\/a>|<\/span><\/div><\/div><\/article>\n
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Smart Curation<\/a><\/h2>

What are the future of cultural journalism, recommendation and prescription ? Between the traditionnal cultural critic \u2013 who is an\u00a0endangered species \u2013 and the automatic filtering \u2013 which is not enough efficient \u2013, \u00ab\u00a0Smart Curation\u00a0\u00bb offers new tools and new ways of thinking the future of recommendation in the age [...]<\/p><\/div><\/div>

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frederic<\/a><\/span><\/span>2022-02-10T17:54:56+00:00<\/span>Categories: Cultural Policy<\/a>|<\/span><\/div><\/div><\/article>\n
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Les nouveaux mod\u00e8les \u00e9conomiques de la musique<\/a><\/h2>

Matthieu Dartiguenave (@MattDarti) est associ\u00e9 co-fondateur de la soci\u00e9t\u00e9\u00a0Anteprima Prime*, \u00e9diteur des artistes Manu Katch\u00e9, Baptiste Trotignon et Eric Legnini. Il revient pour le site Smart, sur les \u00e9volutions des mod\u00e8les \u00e9conomiques de la musique\u00a0: 360\u00b0, live, synchro, jeux vid\u00e9o, brand content, d\u00e9publicitarisation, bundles\u2026 c\u2019est toute une nouvelle industrie de [...]<\/p><\/div><\/div>

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frederic<\/a><\/span><\/span>2022-02-10T18:03:56+00:00<\/span>Categories: On Digital<\/a>|<\/span><\/div><\/div><\/article>\n
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Le critique culturel est mort ; vive la Smart Curation !<\/a><\/h2>

Cette longue enqu\u00eate est publi\u00e9e en int\u00e9gralit\u00e9 sur le site\u00a0Slate\u00a0: \u00e0 lire ici en trois parties :\u00a0Part I\u00a0;\u00a0Part II\u00a0;\u00a0Part III. Et ci-dessous en version courte. * Cet article est \u00e9galement publi\u00e9 en italien par La Reppublica (PDF\u00a0or\u00a0Part I\u00a0and\u00a0Part II) ; en portugais, au Br\u00e9sil, par\u00a0O Globo\u00a0; en espagnol par Horizontal [...]<\/p><\/div><\/div>

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frederic<\/a><\/span><\/span>2022-02-10T18:04:38+00:00<\/span>Categories: Cultural Policy<\/a>|<\/span><\/div><\/div><\/article>\n<\/div><\/div><\/div>